At the core of this collection lies Peter of Limoges's 'Tractatus moralis de oculo', a compilation remarkable for subsuming science into the edifice of theology and glossing the physiology of the eye and theories of perception in terms of Christian ethics and moralization, making esoteric learning accessible to the public including artists through preaching. Transgressing traditional boundaries between art history, science, literature, and the history of religion, the nine essays in this volume complicate the generally accepted understanding of the impact science had on thirteenth-century visual culture.
Neither God nor man : words, images, and the medieval anxiety about art by Herbert L Kessler Book 10 editions published in in English and German and held by WorldCat member libraries worldwide. The Salerno ivories : objects, histories, contexts Book 4 editions published between and in English and held by 97 WorldCat member libraries worldwide "The Salerno ivories clearly lie at the very heart of the complex nature of 'Mediterranean art' at a time of intense commercial and cultural exchange So many essential questions are still subject to debate: whether they were commissioned by a pope, an archbishop, or a powerful secular ruler; if they were carved in the eleventh of twelfth century; if this occurred in Salerno, Amalfi, Palermo, or Rome, in a monastery, at a court, or in an independent workshop; if they were part of an archiepiscopal throne, an antependium, a set of doors, or a reliquary.
Studies in classical and Byzantine manuscript illumination by Kurt Weitzmann Book 9 editions published in in English and held by 76 WorldCat member libraries worldwide. The illustrations in the manuscripts of the Septuagint Book in English and held by 70 WorldCat member libraries worldwide. Picturing the Bible : the earliest Christian art Book 1 edition published in in English and held by 63 WorldCat member libraries worldwide "Picturing the Bible" explores the vast tradition of Christian art at its very beginnings in the third century A.
What images did these Christians use to express their faith openly? Were they the first believers to part with Mosaic law by creating 'graven images'?
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This beautifully illustrated book takes up such questions, revealing the story of how Christian art began through insights from recent discoveries. Leading experts explore topics ranging from Jewish art in the Graeco-Roman period and the influence of Constantine, to the development of church decoration and the meaning of illustrated Bibles.
Throughout we see the distinctive pictorial selection of Early Christians, who at first depicted Old Testament figures - Abraham and Isaac, Jonah, and Daniel - and did not invent new images until over a century later.
The special meanings attached to old images and new ones like the fish, anchor, and Good Shepherd all come to life in these pages. The essays are complemented by extensive new archaeological research on a range of more than one hundred objects, drawn from major museums of America and Europe.
Frescoes, marble sculpture and sarcophagi, silver vessels and reliquaries, carved ivories, decorated crosses, and illuminated Bibles are illustrated in new colour photographs, allowing the reader an unprecedented encounter with Early Christian art. Kessler und Kurt Weitzmann publizierten. Gegen diese Rekonstruktion erhoben sich vereinzelt Gegenstimmen. Auf einem Kolloquium wurden erstmals die unterschiedlichen Positionen gemeinsam diskutiert, ebenso — auf Grundlage neuester Ergebnisse der Bauforschung — Fragen der Funktion und die Inschriften.
Art, European -- Themes, motives (Concept) - University Of Pikeville
Gemeinsam wird nun dem Mittelalter zu seinem Recht verholfen. Year of the Monkey Patti Smith Inbunden. Chanel Daniele Bott Inbunden. Meditations Marcus Aurelius Inbunden. Spara som favorit. Skickas inom vardagar. Laddas ned direkt. Christian cultures across the centuries have invoked Judaism in order to debate, represent, and contain the dangers presented by the sensual nature of art.
Kessler, Herbert L. 1941-
By engaging Judaism, both real and imagined, they explored and expanded the perils and possibilities for Christian representation of the material world. The thirteen essays in Judaism and Christian Art reveal that Christian art has always defined itself through the figures of Judaism that it produces. From its beginnings, Christianity confronted a host of questions about visual representation. Should Christians make art, or does attention to the beautiful works of human hands constitute a misplaced emphasis on the things of this world or, worse, a form of idolatry "Thou shalt make no graven image"?
And if art is allowed, upon what styles, motifs, and symbols should it draw? Christian artists, theologians, and philosophers answered these questions and many others by thinking about and representing the relationship of Christianity to Judaism. This volume is the first dedicated to the long history, from the catacombs to colonialism but with special emphasis on the Middle Ages and the Renaissance, of the ways in which Christian art deployed cohorts of "Jews"-more figurative than real-in order to conquer, defend, and explore its own territory.